She is a pioneer of performance as a visual art form, she has used her body as both subject and medium of her performances to test her physical, mental, and emotional limits in a quest for heightened consciousness, transcendence, and self-transformation. Image source: Marina Abramović was born in Belgrade, Yugoslavia in 1946. įor more details, please see our privacy notice.Marina Abramović. You can unsubscribe at any time by clicking on the unsubscribe link at the bottom of every email, or by emailing us at. We will never give your details to anyone else without your consent. We will only use your email address to send you the newsletters you have requested. News from Dezeen Events Guide, a listings guide covering the leading design-related events taking place around the world. News about our Dezeen Awards programme, including entry deadlines and announcements. Dezeen Jobsĭaily updates on the latest design and architecture vacancies advertised on Dezeen Jobs. Dezeen DailyĪ daily newsletter containing the latest stories from Dezeen. Plus occasional updates on Dezeen’s services and breaking news. Sent every Tuesday and containing a selection of the most important news highlights. Sent every Thursday and featuring a selection of the best reader comments and most talked-about stories. Our most popular newsletter, formerly known as Dezeen Weekly. It isn't a flat image or a 3D film – which is stereoscopic where you have something closer to you and something further away – but a fully 3D photograph," explained Eckert. "The recording of Marina is called volumetric capture. This information was used to build a 3D moving composite of the artist. It was made using an "extensive volumetric capture process" of 36 cameras that filmed Abramović from different angles. The device is calibrated upon entering the room using a configuration of dots on the wall The 19 minute clip features the artist walking around the room and slowly disintegrating into blue dots, before reassembling in the space. "The calibration gives you a specific representation of the content in space so it tells your device where to put Marina," continued Eckert. The device is calibrated upon entering the room using a QR code-like wall of dots – a process which positions the artist in a precise location within the roped circle. Visitors are asked to surrender their belongings before entering an enclosed gallery space "In the same way that a film is not a projector, but what's loaded onto a projector, The Life is not the goggles but what we've put into the goggles," explained Eckert. Lasting 19 minutes, the performance is the first time mixed reality has been used in an art piece, according to the Serpentine Gallery.Ī wearable spatial computing device called a Magic Leap One is worn by visitors, which stores the digital recording of Abramović. Visitors wear a wearable spatial computing device called a Magic Leap One, which stores the digital recording of Abramović If you are seeing her from the front, someone else is seeing it from the back," said Eckert. "Marina is performing in the same orientation for everybody in the same way. This enabled visitors to see Abramović as if she were actually in the room. "While virtual reality closes you off from the world, mixed reality is literally blending it in with the real world," Todd Eckert, director of The Life and founder of Tin Drum, told Dezeen.
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